Yorick

Second Murderer

The Tragedy of Macbeth · 6 speeches across 2 scenes

A ruthless, hired killer pushed by the world's cruelty into reckless violence.

Who they are

Murderer 2 is one of two assassins contracted by Macbeth to kill Banquo and Fleance. He presents himself as a man so brutalized by life that he has become indifferent to moral consequence, making him a pliable tool for Macbeth's tyranny. He shows tactical awareness in the murder scene, taking charge when the first murderer hesitates, but his failure to kill Fleance ensures Banquo's line will haunt Macbeth. His role is to embody the dehumanizing effect of the usurper's reign, turning common men into agents of chaos.

Playing them

Project a volatile, world-weary edge—this man's violence is born of exhaustion and rage, not mere greed. Deliver the 'vile blows and buffets' speech with bitter resentment, then shift to sharp focus during the ambush. Physicality should be coiled and reactive: he's a survivor, quick to adapt when things go wrong. Avoid villainous melodrama; his menace lies in his matter-of-fact acceptance of atrocity.

Appearance

Often costumed in dark, nondescript clothes suggesting hired muscle—leather, rough wool, with a hood or muffling scarf. His face should bear the 'blows and buffets' of the world: scars, bruises, or a hardened, weary expression. On stage, he blends into shadows until he strikes.

Worth knowing

Though a composite figure of Jacobean stage thugs, the murderers reflect the lawless retainers common in 17th-century Scotland and England. Their hired violence mirrors the real-world assassination of Banquo's historical equivalent (a possible ancestor of James I) and the era's anxieties about unchecked royal power.

Where they appear

Play Second Murderer

Take the part and Yorick reads every other role aloud, following you line by line as you speak.

Shakespeare the way it was meant to be had — out loud

These plays were written to be performed, not silently read. Yorick is a rehearsal app that lets you perform them: you take a part in any of Shakespeare’s 38 plays, and Yorick reads every other role aloud, listens while you speak your lines, keeps your place, and prompts you the moment you dry.

It is built for the person who has to be off book by tech week — school and college productions, community theatre, festivals, drama students and classical auditions — and for anyone who wants to hear a scene rather than skim it. Alongside the performance you get a plain-English translation of every speech, scene context, performance notes, and the ability to ask about any line and get an answer that already knows the play, the scene and who is speaking.

The text is the public-domain Cambridge/Globe edition. Translations and notes are AI-generated rehearsal aids for actors and students, not a scholarly apparatus. Yorick runs in a browser with nothing to install, and on iPhone and Android.