Yorick

First Musician

The Tragedy of Romeo and Juliet · 10 speeches across 1 scenes

A pragmatic musician in Verona, providing comic relief after Juliet's supposed death.

Who they are

Musician 1 appears only in Act 4, Scene 5, just after the Capulets discover Juliet's body. He engages in a darkly comic exchange with Peter and fellow musicians, arguing over payment and the propriety of playing 'merry' music at a funeral. His role contrasts the tragic mood with earthy realism, highlighting the gap between the mourners' grief and the servants' practical concerns.

Playing them

Play him with a deadpan, pragmatic energy—he's unimpressed by the hysterics around him. Use a dry, slightly weary vocal quality; his humor comes from blunt logic, not clowning. React to Peter's wordplay with slow-burning annoyance, emphasizing pauses between retorts. This scene is often cut or minimized, but if included, make him a grounding presence amid the chaos.

Appearance

Costume suggests a hired musician: simple, practical clothes, perhaps a hat and a pipe or instrument case. Staging may place him at the edge of the scene, physically separate from the mourners.

Worth knowing

Shakespeare draws on the tradition of 'q2' clowning—this exchange mirrors similar comic interludes in his tragedies. Musicians in Elizabethan England were low-status laborers, often hired for funerals and weddings alike.

Where they appear

Play First Musician

Take the part and Yorick reads every other role aloud, following you line by line as you speak.

Shakespeare the way it was meant to be had — out loud

These plays were written to be performed, not silently read. Yorick is a rehearsal app that lets you perform them: you take a part in any of Shakespeare’s 38 plays, and Yorick reads every other role aloud, listens while you speak your lines, keeps your place, and prompts you the moment you dry.

It is built for the person who has to be off book by tech week — school and college productions, community theatre, festivals, drama students and classical auditions — and for anyone who wants to hear a scene rather than skim it. Alongside the performance you get a plain-English translation of every speech, scene context, performance notes, and the ability to ask about any line and get an answer that already knows the play, the scene and who is speaking.

The text is the public-domain Cambridge/Globe edition. Translations and notes are AI-generated rehearsal aids for actors and students, not a scholarly apparatus. Yorick runs in a browser with nothing to install, and on iPhone and Android.