Yorick

The Tragedy of Romeo and Juliet

Act IV, Scene IV — Hall in Capulet's house

Reading a part? Choose it and your lines are marked.

Enter Lady Capulet and Nurse.

Lady Capulet

Hold, take these keys, and fetch more spices, nurse.

Modern translation & notes

In plain English

Here, take these keys and go get more spices, Nurse.

What’s happening

Lady Capulet is managing the household preparations for Juliet's wedding to Paris, which is happening the next morning. She has no idea that Juliet has just taken a sleeping potion in the next room. The line captures the busy, pre-dawn domestic chaos—a sharp tonal contrast to the harrowing soliloquy that preceded it.

Playing the moment

Play this with brisk, practical energy. Lady Capulet is in task-management mode, not emotional mode. The line should feel hurried and matter-of-fact, which makes it land with dramatic irony given what the audience just witnessed. Keep volume moderate and pace quick.

Nurse to Juliet

They call for dates and quinces in the pastry.

Modern translation & notes

In plain English

They're asking for dates and quinces to use in the pastry-making.

What’s happening

The Nurse is caught up in the bustling wedding preparations for Juliet and Paris, entirely unaware that Juliet has just taken the sleeping potion. This line captures the chaotic, industrious energy of the Capulet household the night before the planned ceremony. The Nurse is simply reporting the kitchen's needs, focused on the practical details of the feast.

Worth knowing

Dates and quinces were expensive ingredients used in celebratory dishes and wedding cakes. Quinces were associated with fertility and marriage, making them especially fitting for a wedding feast.

Playing the moment

Deliver this with harried, preoccupied energy—probably moving quickly, perhaps not even looking at Juliet. The line should feel like one task among many, thrown out breathlessly. The dramatic irony is crucial: the Nurse's cheerful domestic bustle immediately follows Juliet's terrifying soliloquy about taking the potion. Keep the energy light and busy to heighten the contrast.

Enter Capulet.

Capulet

Come, stir, stir, stir! the second cock hath crow'd,

The curfew-bell hath rung, 'tis three o'clock:

Look to the baked meats, good Angelica:

Spare not for cost.

Modern translation & notes

In plain English

Come on, hurry up! The rooster has crowed twice and the curfew bell has rung. It's three in the morning. Make sure the prepared meats are ready, Angelica. Don't worry about the expense.

What’s happening

Capulet is energetically overseeing the wedding preparations for Juliet and Paris, unaware that Juliet has just taken the sleeping potion. He's bustling about giving orders, full of excited energy and authority. The dramatic irony is thick — the audience just witnessed Juliet's terrified soliloquy, and now Capulet cheerfully plans a wedding that will never happen.

Worth knowing

The 'second cock' refers to the second of three cock-crowings that divided the pre-dawn hours, roughly around 3 AM. 'Angelica' is likely the Nurse's name, suggesting a closer, more familiar relationship than usual. 'Baked meats' refers to prepared meat dishes, not literally baked goods as modern readers might assume.

Playing the moment

Capulet should be brisk, loud, and almost manic with energy — a master of the house in full organizational mode. The repetition of 'stir' can be played with increasing exasperation or as a running joke. His bonhomie here contrasts sharply with Juliet's private terror moments before. Some productions have him slightly drunk or giddy with excitement. The physicality should be dominant: clapping hands, pointing, moving through the servants' space with authority.

Nurse to Juliet

Go, you cot-quean, go,

Get you to bed; faith, you'll be sick to-morrow

For this night's watching.

Modern translation & notes

In plain English

Go to bed, you old busybody. Honestly, you'll make yourself sick tomorrow from staying up all night.

What’s happening

The Nurse speaks to Lord Capulet, who is busily supervising the wedding preparations. She's affectionately teasing him for acting like an over-anxious housewife (a 'cot-quean') the night before his daughter's wedding. The dramatic irony is crushing—while they bustle about preparing for a celebration, Juliet has just taken a sleeping potion in the scene before.

Worth knowing

'Cot-quean' literally means a cottage queen but was used to mock a man who meddled in women's household affairs. It's a affectionate but pointed insult suggesting Capulet is being an old woman about the preparations.

Playing the moment

Deliver with maternal bossiness and genuine affection. The Nurse is shooing Capulet to bed the way she would shoo a child. This is warm, domestic comedy—a critical contrast to the horror of Juliet's soliloquy moments before. Pace it casually, with a chuckle in the voice. The normalcy makes the surrounding dramatic irony more devastating.

Capulet

No, not a whit: what! I have watch'd ere now

All night for lesser cause, and ne'er been sick.

Modern translation & notes

In plain English

Not at all — I've stayed up all night for less important reasons before and never gotten sick from it.

What’s happening

The Capulet household is frantically preparing for Juliet's wedding to Paris. Capulet is energized and paternal, dismissing the Nurse's concern that he'll exhaust himself. His high spirits are painfully ironic — the audience just witnessed Juliet's terrifying soliloquy about taking the potion. He's performing competence and vigor, perhaps protesting too much.

Worth knowing

"Mouse-hunt" in Lady Capulet's following line was slang for a womanizer — she's hinting that Capulet's previous all-nighters involved chasing women, not legitimate business. His bluster here may be covering guilty knowledge.

Playing the moment

Play the vigor and pride — Capulet is showing off, refusing to seem old or weak. The energy should be genuinely buoyant (he's excited about the wedding), which makes the dramatic irony cut deeper. Some actors play a slight edge of defensive bluster, as if the Nurse has touched a nerve about his age. Pace should be brisk, busy — a man who doesn't have time for coddling.

Lady Capulet

Ay, you have been a mouse-hunt in your time;

But I will watch you from such watching now.

Modern translation & notes

In plain English

Yes, you were quite the womanizer in your younger days, but I'm going to keep you from pursuing that kind of activity now.

What’s happening

The household is frantically preparing for Juliet and Paris's wedding, which Capulet has suddenly moved up to Wednesday. Lady Capulet is responding to her husband's boastful claim that he can stay up all night without getting sick. She takes a pointed jab at him, suggesting his past late nights involved chasing women. It's a tense, teasing moment that reveals the couple's strained dynamic—she knows his history and isn't letting him forget it.

Worth knowing

"Mouse-hunt" was a common Renaissance term for a womanizer or philanderer—someone who prowls at night seeking prey. The word "watch" carries a sexual double meaning: staying awake, but also keeping surveillance over a spouse to prevent infidelity.

Playing the moment

This should land as a sharp, knowing aside—not affectionate teasing but a bitter accusation wrapped in banter. Lady Capulet knows her audience (the room is full of servants), so she may deliver this quietly enough that only Capulet truly hears the sting. Some actresses play it with a forced smile that doesn't reach the eyes; others let the contempt break through. The key is the shift from the previous line's public bustle to this sudden, private wound. Capulet's defensive response ('A jealous hood, a jealous hood!') confirms the barb landed.

Exeunt Lady Capulet and Nurse.

Capulet

A jealous-hood, a jealous-hood!

Enter three or four Servingmen, with spits, and logs, and baskets.

Now, fellow,

What's there?

Modern translation & notes

In plain English

You suspicious wife! Now then, servant — what have you got there?

What’s happening

Capulet is riding high on adrenaline and excitement the night before Juliet's wedding. Lady Capulet has just teased him about his womanizing past, and he deflects with playful banter before pivoting back to business. He's energized, distracted, playing the jovial master of the house — barking orders one moment, teasing his wife the next. The mood is bustling and carnivalesque.

Playing the moment

Play the first line as banter — amusement, not anger. Then snap to brisk authority with 'Now fellow.' Capulet is in peak party-host mode. The contrast between teasing his wife and commanding the servant should feel seamless, showing a man energized by control and celebration.

First Servant

Things for the cook, sir, but I know not what.

Modern translation & notes

In plain English

I have supplies for the cook, sir, but I don't actually know what they are.

What’s happening

The household is in full preparation mode for Juliet's wedding to Paris. Capulet has been frantically ordering everyone about since the early hours. This servant, likely having been sent on an errand, returns with items but admits he's unsure what exactly he's carrying. It's a brief moment of comic relief amid the frantic energy.

Playing the moment

Play the flustered confusion honestly. The servant is probably out of his depth, possibly overwhelmed by Capulet's manic energy. A quick, slightly apologetic delivery works well. Don't oversell the comedy; the humor comes naturally from the contrast between Capulet's intensity and this worker's bewildered honesty.

Capulet

Make haste, make haste. Sirrah, fetch drier logs:

Exit First Serv.

Call Peter, he will show thee where they are.

Modern translation & notes

In plain English

Hurry up, hurry up. Boy, go get drier firewood. Call Peter—he'll show you where to find it.

What’s happening

It's early morning, the day of Juliet's wedding to Paris. Capulet has been up all night supervising the preparations, buzzing with excited energy. He's barking orders at the servants, wanting everything perfect. This is a man high on his own authority, enjoying playing the busy household commander.

Playing the moment

Play the frantic, restless energy of a man who hasn't slept but is running on adrenaline and pride. The repeated 'make haste' should feel genuinely urgent—not angry, but charged with excitement. 'Sirrah' is a term for an inferior; deliver it with casual authority, the tone of a man used to being obeyed. The line should trip forward quickly, barely waiting for responses.

Second Servant

I have a head, sir, that will find out logs,

And never trouble Peter for the matter.

Modern translation & notes

In plain English

I have my own brain, sir—I can figure out where to find logs without bothering Peter about it.

What’s happening

The household is frantically preparing for Juliet's wedding to Paris. Servant 2 has just been told to fetch logs and ask Peter where to find them. He's confidently refusing the help—a cheeky, self-sufficient response that shows personality. The exchange is played for humor to contrast with the horror that follows when Juliet is discovered apparently dead.

Playing the moment

Play this with breezy confidence and a hint of sass—the servant is essentially saying 'I got this, I don't need Peter.' Light, quick energy fits the bustling, pre-wedding mood. Capulet's delighted response ('A merry whoreson, ha!') should encourage you to land the line with a bit of cheeky flair. The humor here makes the dramatic reversal that follows more devastating.

Capulet

Mass, and well said; a merry whoreson, ha!

Thou shalt be logger-head. Good faith, 'tis day:

Exit Sec. Serv.

The county will be here with music straight,

For so he said he would. [Music within] I hear him near.

Nurse! Wife! What, ho! What, nurse, I say!

Re-enter Nurse.

Go waken Juliet, go and trim her up;

I'll go and chat with Paris: hie, make haste,

Make haste: the bridegroom he is come already:

Make haste, I say.

Exeunt.

Modern translation & notes

In plain English

By God, well said! A funny fellow, ha! You'll be my head logger. Good faith, it's daytime already. Paris will be here with music any moment, as he promised. I can hear him approaching. Nurse! Wife! What ho! Nurse, I say! Go wake Juliet and get her dressed. I'll go speak with Paris. Hurry up! The groom is already here. Make haste!

What’s happening

Capulet is in high spirits, busily preparing for Juliet's wedding to Paris. He's been up all night overseeing the feast preparations and is now energized rather than exhausted. He has no idea that Juliet has taken a sleeping potion to avoid this very marriage. The dramatic irony is crushing: his cheerful urgency to wake his daughter comes moments before the discovery of her apparent corpse.

Worth knowing

"Mass" is a mild oath, short for "by the Mass" (the Catholic Eucharist). "Loggerhead" was a term for a fool or blockhead, but here Capulet playfully dubs the servant "head logger" — rewarding his cleverness about finding firewood. The word carried a double meaning as a thick-headed fool, so the joke may have an edge.

Playing the moment

Capulet should radiate bullish energy and enthusiastic authority. He's a man who loves being in control of a grand event. Pace should be brisk and commanding, building with each repeated "make haste." The contrast between his frenetic cheer and the horror that follows is essential — play the joy fully so the devastation hits harder. Some actors emphasize his domineering nature; others his genuine excitement as a father. Both work, but the urgency must feel real, not merely dictatorial.

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