Reading a part? Choose it and your lines are marked.
Enter Othello, Iago, and Gentlemen.
Othello
These letters give, Iago, to the pilot;
And by him do my duties to the senate:
That done, I will be walking on the works;
Repair there to me.
Modern translation & notes
In plain English
Iago, give these letters to the ship's captain and send my regards to the Senate through him. After that, I'll be inspecting the fortifications. Meet me there.
What’s happening
This is a brief moment of military business between Othello and Iago, occurring right after Cassio has arranged to speak privately with Desdemona through Emilia. Othello is unaware of this meeting being planned. He is in command mode, focused on his duties as governor of Cyprus, projecting authority and order.
Worth knowing
"Walking on the works" refers to inspecting the fortifications — the defensive walls and battlements of Cyprus. This brief scene shows Othello performing the role of capable military governor, which makes his psychological unraveling in the scenes to come more devastating.
Playing the moment
Play this with brisk, confident authority. Othello is utterly at ease here — a leader in full command. The pace should be businesslike and measured. Some actors use this moment to establish Othello's military bearing and competence, creating a stark contrast with the jealous chaos that follows. Keep energy firm but not aggressive; this is routine command, not conflict.
Iago
Well, my good lord, I'll do't.
Modern translation & notes
In plain English
Alright, my lord, I'll take care of it.
What’s happening
Othello has just given Iago orders to deliver letters to the ship's pilot and convey his respects to the Senate. This is a brief, mundane exchange of military business. Iago is playing the dutiful officer, maintaining Othello's trust while his treacherous plot begins to unfold. The ordinariness of this moment makes the coming devastation more chilling.
Playing the moment
Keep this line simple, efficient, and soldierly. The danger is overcomplicating it — Iago should seem utterly reliable here. Some actors deliver it with an almost imperceptible edge of false warmth, but the most effective choice is often genuine-seeming competence. Let the audience's knowledge of Iago's nature do the sinister work for you. Pace: brisk, compliant.
Othello
This fortification, gentlemen, shall we see't?
Modern translation & notes
In plain English
Shall we go look at these fortifications now, gentlemen?
What’s happening
Othello has just dispatched Iago with official letters to the Senate and is now turning to attend to his military duties as governor of Cyprus. He's addressing the gentlemen of his court, inviting them to inspect the island's defenses with him. This brief, businesslike moment shows Othello in command and at ease—a sharp contrast to the jealous torment that will soon consume him.
Playing the moment
Play this line with confident, casual authority. Othello is comfortable in his role as military leader; the line should feel easy and warm. The contraction 'see 't' invites a light, social delivery—this is a leader inviting companions on a stroll, not issuing a command. Resist any temptation to play foreboding; the tragedy works best when we see how content Othello is before Iago's poison takes hold.
Gentleman
We'll wait upon your lordship.
Exeunt.
Modern translation & notes
What’s happening
Othello has just dismissed official business — dispatching letters to the Senate via Iago — and invited the Gentlemen to tour the fortifications with him. This is a brief, transitional moment as Othello shifts from military administration to a social walk. The Gentlemen's response is courteous deference, marking Othello's authority and social ease before the domestic storm breaks.
Playing the moment
Keep this light, brisk, and courteous — a throwaway line of polite compliance. The actor should already be moving, perhaps gesturing or stepping forward, ready to follow Othello. No weight or deliberation needed; the line exists to smooth the transition offstage. Match Othello's energy and warmth.
Shakespeare the way it was meant to be had — out loud
These plays were written to be performed, not silently read. Yorick is a
rehearsal app that lets you perform them: you take a part in any of Shakespeare’s
38 plays, and Yorick reads every other role aloud, listens while you speak your
lines, keeps your place, and prompts you the moment you dry.
It is built for the person who has to be off book by tech week — school and
college productions, community theatre, festivals, drama students and classical
auditions — and for anyone who wants to hear a scene rather than skim it.
Alongside the performance you get a plain-English translation of every speech,
scene context, performance notes, and the ability to ask about any line and get
an answer that already knows the play, the scene and who is speaking.
The text is the public-domain Cambridge/Globe edition. Translations and notes
are AI-generated rehearsal aids for actors and students, not a scholarly
apparatus. Yorick runs in a browser with nothing to install, and on iPhone and
Android.
Don’t just read it — play it
In Yorick you take a part. Your scene partner reads everyone else aloud, follows along as you speak your lines, and prompts you the moment you dry.