Yorick

The Tragedy of Julius Caesar

Act V, Scene II — The field of battle

Reading a part? Choose it and your lines are marked.

Alarum. Enter Brutus and Messala.

Marcus Brutus

Ride, ride, Messala, ride, and give these bills

Unto the legions on the other side:

Loud alarum.

Let them set on at once; for I perceive

But cold demeanour in Octavius' wing,

And sudden push gives them the overthrow.

Ride, ride, Messala: let them all come down.

Exeunt.

Modern translation & notes

In plain English

Ride quickly, Messala, and deliver these orders to the legions on the other flank. Tell them to attack immediately—I can see Octavius's forces are hesitant, and a sudden charge will defeat them. Hurry, Messala, bring all our forces down upon them!

What’s happening

Brutus has just taken a deeply emotional farewell of Cassius, believing they may never meet again. Now he snaps into military command mode, seizing a tactical opportunity he's spotted on the battlefield. This is the last coherent strategic decision Brutus will make before everything unravels. The urgency is genuine—he sees a weakness and knows the battle's outcome hangs in the balance.

Worth knowing

"Bills" here means written military orders or dispatches, not invoices. The word derives from medieval Latin 'bulla' (sealed document). In Shakespeare's source, Plutarch describes Brutus sending orders to his legions, though the specific tactical detail about Octavius's wing appears to be Shakespeare's invention.

Playing the moment

The repetition of 'Ride, ride, Messala, ride' demands escalating urgency—each iteration should build in intensity. Many actors deliver this with a voice breaking slightly from the preceding farewell scene, military command clashing with residual emotion. The tactical observation (lines 2411-2413) should shift to a sharper, more focused register—a general who sees his opening. The final 'Let them all come down' is typically played with decisive finality, sometimes with a sweeping physical gesture toward the battlefield. Some productions have Messala already mounted or departing, with Brutus calling after him.

Shakespeare the way it was meant to be had — out loud

These plays were written to be performed, not silently read. Yorick is a rehearsal app that lets you perform them: you take a part in any of Shakespeare’s 38 plays, and Yorick reads every other role aloud, listens while you speak your lines, keeps your place, and prompts you the moment you dry.

It is built for the person who has to be off book by tech week — school and college productions, community theatre, festivals, drama students and classical auditions — and for anyone who wants to hear a scene rather than skim it. Alongside the performance you get a plain-English translation of every speech, scene context, performance notes, and the ability to ask about any line and get an answer that already knows the play, the scene and who is speaking.

The text is the public-domain Cambridge/Globe edition. Translations and notes are AI-generated rehearsal aids for actors and students, not a scholarly apparatus. Yorick runs in a browser with nothing to install, and on iPhone and Android.

Don’t just read it — play it

In Yorick you take a part. Your scene partner reads everyone else aloud, follows along as you speak your lines, and prompts you the moment you dry.