Yorick

Guildenstern

The Tragedy of Hamlet, Prince of Denmark · 29 speeches across 5 scenes

A former university friend of Hamlet, summoned by Claudius to spy on the prince. He represents corrupted friendship and courtly obedience.

Who they are

Guildenstern, along with Rosencrantz, is a childhood friend of Hamlet recruited by King Claudius to discover the cause of Hamlet's madness. His dramatic function is to demonstrate how political corruption infiltrates even personal relationships. He participates in the surveillance, the encounter with the players, and is ultimately sent to England with Hamlet, carrying the order for his execution. He is a passive instrument of the court, whose fate is sealed by his compliance.

Playing them

Play with a polite, eager-to-please energy that masks underlying anxiety. Use a measured, courtly vocal quality. Physicality should be slightly stiff, reflecting his discomfort with the duplicitous role. The emotional range is narrow, moving from initial forced cheerfulness to growing confusion and fear. He is often played as virtually interchangeable with Rosencrantz, highlighting their function as a pair.

Appearance

Typically dressed as a courtier, similar to but perhaps slightly less refined than Rosencrantz. His costume should visually align him with the Danish court, not with Hamlet's scholarly black.

Worth knowing

The character's name, along with Rosencrantz, was drawn from Danish nobility, recorded at the University of Wittenberg in the 16th century, which adds a layer of historical realism to their roles as Hamlet's fellow students.

Where they appear

Play Guildenstern

Take the part and Yorick reads every other role aloud, following you line by line as you speak.

Shakespeare the way it was meant to be had — out loud

These plays were written to be performed, not silently read. Yorick is a rehearsal app that lets you perform them: you take a part in any of Shakespeare’s 38 plays, and Yorick reads every other role aloud, listens while you speak your lines, keeps your place, and prompts you the moment you dry.

It is built for the person who has to be off book by tech week — school and college productions, community theatre, festivals, drama students and classical auditions — and for anyone who wants to hear a scene rather than skim it. Alongside the performance you get a plain-English translation of every speech, scene context, performance notes, and the ability to ask about any line and get an answer that already knows the play, the scene and who is speaking.

The text is the public-domain Cambridge/Globe edition. Translations and notes are AI-generated rehearsal aids for actors and students, not a scholarly apparatus. Yorick runs in a browser with nothing to install, and on iPhone and Android.